La Dott.ssa Gil Clotet receive students from all Thursday 10:30 to 12:30 , from March to May 2008.
Wednesday, February 27, 2008
Treatment Of Maculopapular Rash
Ricevimento per studenti di BBCC
La Dott.ssa Gil Clotet receive students from all Thursday 10:30 to 12:30 , from March to May 2008.
La Dott.ssa Gil Clotet receive students from all Thursday 10:30 to 12:30 , from March to May 2008.
Friday, February 22, 2008
Watch 'mapouka' Online
Italy lagging behind in economic growth
The news of the day: "Italy is lagging behind in economic growth."
"The growth forecast for 2008 reduced to 0.5%"
And about that now reviews are unleashed by politicians, or assumed, economists of the right or left etc..
I would like to add the network also consider a normal citizen, with a little ' of basic education (a degree in Nuclear Engineering with everything above) and forty years of life (a wife, three children, two grandchildren) and work. During my long
Consulting I was often confronted with companies in which it was made a radical change of leadership with the aim of improving the accounts and profitability. Almost all new vertex carrying out any reduction in costs not directly related to productive activities (innovation, training, promotion, maintenance, etc..) With the result of obtaining an immediate benefit to the accounts and profitability. But, as you can imagine, over the medium term these actions lead necessariamente alla perdita di competitività dei prodotti e servizi di riferimento (qualità, costi, prezzi ecc.) con la conseguenza di portare presto ad un nuovo peggioramento dei conti, se non al disastro o al fallimento.
Nell’azienda Italia, a mio avviso, è successo qualche cosa di analogo. Fortunatamente, uno stato non può fallire, ma può andare verso il disastro economico e sociale come conseguenza di scelte politiche sbagliate. Il governo di centro sinistra, ed in particolare il suo capo Prodi, si vanta tanto di aver messo a posto i conti dell’Italia; e questo è un dato di fatto incontestabile; ma a quale costo? Si vanta inoltre di aver recuperato svariati milioni di Euro di evasione fiscale.
Secondo the media, the tax burden increased by 2%, while tax revenues increased by even more significant percentage of the recovery effect even evasion.
At this point we should not be surprised if we now lags behind in economic growth. This is the logical and direct consequence of the increased pressure and tax revenues.
fact, more financial resources acquired by the state have been withheld from businesses and individuals to be diverted to public investment, known to be less productive than private investment.
What would have happened if this had been 2 percent and more businesses and individuals? The answer is very simple. Poiché in finanza, come in natura, nulla si crea e nulla si distrugge, le risorse non sottratte alle aziende sarebbero state utilizzate dalle aziende stesse; per che cosa? Per migliorare i prodotti ed i servizi. Per essere quindi più competitive e contribuire come conseguenza alla crescita del sistema Italia. E il 2 e più per centro sottratto ai privati? Come sempre sarebbe stato destinato prevalentemente ai consumi, e quindi ad alimentare la catena produttiva dei relativi prodotti e servizi.
Probabilmente questa mia nota non verrà letta da nessuno. L’ho scritta per uno sfogo personale, ma con il segreto desiderio di contribuire ad alimentare il dibattito sull’analisi delle cause che hanno determinato questa situazione economico sociale Italy, and especially on large projects to be done to improve this situation. 
The news of the day: "Italy is lagging behind in economic growth."
"The growth forecast for 2008 reduced to 0.5%"
And about that now reviews are unleashed by politicians, or assumed, economists of the right or left etc..
I would like to add the network also consider a normal citizen, with a little ' of basic education (a degree in Nuclear Engineering with everything above) and forty years of life (a wife, three children, two grandchildren) and work. During my long
Consulting I was often confronted with companies in which it was made a radical change of leadership with the aim of improving the accounts and profitability. Almost all new vertex carrying out any reduction in costs not directly related to productive activities (innovation, training, promotion, maintenance, etc..) With the result of obtaining an immediate benefit to the accounts and profitability. But, as you can imagine, over the medium term these actions lead necessariamente alla perdita di competitività dei prodotti e servizi di riferimento (qualità, costi, prezzi ecc.) con la conseguenza di portare presto ad un nuovo peggioramento dei conti, se non al disastro o al fallimento.
Nell’azienda Italia, a mio avviso, è successo qualche cosa di analogo. Fortunatamente, uno stato non può fallire, ma può andare verso il disastro economico e sociale come conseguenza di scelte politiche sbagliate. Il governo di centro sinistra, ed in particolare il suo capo Prodi, si vanta tanto di aver messo a posto i conti dell’Italia; e questo è un dato di fatto incontestabile; ma a quale costo? Si vanta inoltre di aver recuperato svariati milioni di Euro di evasione fiscale.
Secondo the media, the tax burden increased by 2%, while tax revenues increased by even more significant percentage of the recovery effect even evasion.
At this point we should not be surprised if we now lags behind in economic growth. This is the logical and direct consequence of the increased pressure and tax revenues.
fact, more financial resources acquired by the state have been withheld from businesses and individuals to be diverted to public investment, known to be less productive than private investment.
What would have happened if this had been 2 percent and more businesses and individuals? The answer is very simple. Poiché in finanza, come in natura, nulla si crea e nulla si distrugge, le risorse non sottratte alle aziende sarebbero state utilizzate dalle aziende stesse; per che cosa? Per migliorare i prodotti ed i servizi. Per essere quindi più competitive e contribuire come conseguenza alla crescita del sistema Italia. E il 2 e più per centro sottratto ai privati? Come sempre sarebbe stato destinato prevalentemente ai consumi, e quindi ad alimentare la catena produttiva dei relativi prodotti e servizi.
Probabilmente questa mia nota non verrà letta da nessuno. L’ho scritta per uno sfogo personale, ma con il segreto desiderio di contribuire ad alimentare il dibattito sull’analisi delle cause che hanno determinato questa situazione economico sociale Italy, and especially on large projects to be done to improve this situation.
Saturday, February 2, 2008
How Long Does Italian Sausage Last
Textos para Literatura III
Espronceda José (1808-1842)
Canción pirate from Poesias (1840) A Jarifa en
an orgy of Poesias (1840)
Portrait of Felix de Montemar by El Estudiante de Salamanca (1840)
El ángel y el diablo El mundo poet (published posthumously)
Canción del pirata
Con diez cañones por banda,
viento en popa a toda vela,
no corta el mar, sino vuela
un velero bergantín:
bajel pirata que llaman
por su bravura el Temido,
en todo mar conocido
del uno al otro confín.
La luna en el mar rïela,
en la lona gime el viento,
y alza en blando movimiento
olas de plata y azul.
Y ve el capitán pirata,
cantando alegre en la popa
Asia a un lado, al otro Europa
Y allá a su frente Stambul.
«Navega, velero mío,
sin temor,
que ni enemigo navío,
ni tormenta, ni bonanza
tu rumbo a torcer alcanza,
ni a sujetar tu valor.
Veinte presas
hemos hecho
a despecho
del inglés,
y han rendido
sus pendones
cien naciones
a mis pies.
Que es mi barco mi tesoro,
que es mi Dios la libertad,
mi ley la fuerza y el viento,
mi única patria, la mar.
Allá muevan feroz guerra
ciegos reyes
por un palmo más de tierra:
que yo tengo aquí por mío
cuanto abarca el mar bravío
a quien nadie impuso leyes.
Y no hay playa,
sea cualquiera
ni bandera
de esplendor,
que no sienta
mi derecho
and breastfeed my value.
That's my boat my treasure,
God is my freedom, my law
and wind force,
my only home is the sea.
to the voice of "boat coming!"
is to see how it turns and prevents
at full speed to escape:
I'm king of the sea,
and my anger is fear. The dams
I divide it equally caught
:
just want
for wealth
unrivaled beauty.
That's my boat my treasure,
God is my freedom, my law
and wind force,
my my only home is the sea.
Sentenced estoy a muerte!
Yo me río:
no me abandone la suerte,
y al mismo que me condena,
colgaré de alguna antena,
quizá en su propio navío.
Y si caigo
¿Qué es la vida?
Por perdida
ya la di,
cuando el yugo
del esclavo
como un bravo
sacudí.
Que es mi barco mi tesoro,
que es mi Dios la libertad,
mi ley la fuerza y el viento,
mi única patria, la mar.
Son mi música mejor
Aquilones
el estrépito y el temblor
de los cables sacudidos,
del negro mar los bramidos
y el rugir de mis cañones.
Y del trueno
al son violento
y del viento
al rebramar
yo me duermo
sosegado
arrullado por el mar.
Que es mi barco mi tesoro,
que es mi Dios la libertad,
mi ley la fuerza y el viento,
mi única patria la mar.
Canzone del pirata
Con dieci cannoni per lato
vento in poppa, a gonfie vele
non fende il mare, ma vola
un veliero brigantino:
vascello pirata detto
per il suo ardire il Temuto
conosciuto su ogni mare
dall’uno all’altro confine.
Splende la luna sul mare,
geme il vento sulla tela,
e con blando movimento
solleva onde d’argento.
It sees the pirate captain,
stern troll,
Europe and Asia on both sides in front of him
Istanbul.
"Search my sailboat,
without fear, no enemy shipping
or storm or calm
the route will divert
or humiliate your worth. Twenty prisoners
we have done in spite
of English, and have bowed
flags
hundred nations
at my feet.
My ship is my treasure, my God
freedom
my law
wind strength and my only home, the sea. The fair
war move
blind sovereign
per un palmo in più di terra:
qua io sono padrone
del grande indomito mare
a cui mai legge fu imposta.
E non c’è spiaggia,
qualunque sia,
né bandiera
di gran fama
che non senta
il mio diritto
né s’arrenda
al mio valore.
La mia nave è il mio tesoro,
mio Dio la libertà
mia legge la forza e il vento
mia unica patria, il mare.
All’annuncio “Nave in vista!”
guardate
come vira e s’appresta
rapido a fuggire:
io sono il re del mare,
la mia furia fa paura.
Del bottino
quanto ho preso
equally divide the
:
only wealth I aspire
unparalleled beauty.
My ship is my treasure, my God
freedom
my law
wind strength and my only home, the sea.
sentenced to death they sent me!
I shall laugh: the fate
not abandon me and he who condemns me,
maybe hang a pennant of his ship.
And if I fall,
What is life?
I
for lost time, when the yoke
slave
as fair
I shrugged.
My ship is my treasure, my God
freedom
My law
wind strength and my only home, the sea.
My best music are
kites,
the noise and tremor of the rigging taut, black sea
the roars the thunder of my cannon.
And at the sound of thunder and the wind violent
belling
to fall asleep lulled
placid sea.
My ship is my treasure, my God
freedom
my law
wind strength and my only home, the sea.
******************************
A Jarifa en an orgy
Trae, Jarifa, your hand, view and pósala
on my forehead
in a sea of \u200b\u200bmolten lava
my head I feel burning.
Come
meeting with my lips those lips that irritate me, where even kissing
throb of your lover yesterday.
What virtue, purity? What
truth and love? Lain
child illusion that flattered my youth.
Give me wine to drown it
my memories without feeling groggy
fleeing life, peace
bring me the casket.
Sweat
burning my face and red blood ardente
uncertain shine my eyes, I skipped
heart.
Huye, mujer: te detesto.
Siento tu mano en la mía,
y tu mano siento fría,
y tus besos hielos son.
¡Siempre igual! Necias mujeres,
inventad otras caricias,
otro mundo, otras delicias,
o maldito sea el placer
Vuestros besos son mentira,
mentira vuestra ternura.
Es fealdad vuestra hermosura,
vuestro gozo es padecer.
Yo quiero amor, quiero gloria,
quiero un deleite divino,
como en mi mente imagino,
como en el mundo no hay;
y es la luz de aquel lucero
que engañó mi fantasía,
fuego fatuo, falso guía
que errante y ciego me tray.
¿Por qué murió para el placer mi alma
y vive aún para el dolor impío?
¿Por qué si yazgo en indolente calma,
siento, en lugar de paz, árido hastío?
¿Por qué este inquieto, abrasador deseo?
¿Por qué este sentimiento extraño y vago,
que yo mismo conozco un devaneo
y busco aún su seductor halago?
¿Por qué aún fingirme amores y placeres
que cierto estoy de que serán mentira?
¿Por qué en pos de fantásticas mujeres
necio tal vez mi corazón delira,
if then, instead of grass and flowers, is
deserts and thistles,
and their watermelons or wanton annoyance
only find love and anger?
I threw, which quickly comet
on the wings of my burning fantasy
do any snatched my restless mind and triumphs
find such thought.
I threw with daring flight
outside world in the ethereal region, and found
doubt, and the radiant sky
vi become air illusion.
on earth Then virtue, glory, and anxiously looked
delirious love, and
heinous and despicable slag dust my weary spirit
found.
clean virginal women saw clouds
between blue light dawns;
touched me the smoke and saw bartered
purity, and mud and decay.
And I found my hopes faded
my eternal and insatiable desire;
felt my reality and I hated life.
Only in the peace of the grave I think.
And I look and still look greedy,
and still delights the soul and wants to pretend:
wonder and dread
accent "Ah, I answered, despair, and die.
Die, unhappy: life is a torment, deception
pleasure, not on earth
to you or that or happy, but eternal
ambition and eternal war.
So let God punish the daring soul, aspiring mad
, in frenzy,
of truth for the deadly
evening to discover the unfathomable arcane. "Oh
?, Ceases, no, I do not want
see more, or know nothing;
fed my soul and prostrate
anela just relax.
die in my feeling and died
for my happiness,
or pleasure or sadness
back to haunt my chest.
Pass, pasad en óptica ilusoria
y otras jóvenes almas engañad;
nacaradas imágenes de gloria,
coronas de oro y de laurel, pasad.
Pasad, pasad mujeres voluptuosas,
con danza y algazara en confusión;
pasad como visiones vaporosas
sin conmover ni herir mi corazón.
Y aturdan mi revuelta fantasía
los brindis y el estruendo del festín,
y huya la noche y me sorprenda el día
en un letargo estúpido y sin fin.
Ven Jarifa; tú has sufrido
como yo; tú nunca lloras;
mas ¡ay triste!, que no ignoras
cuán amarga es mi aflicción.
A Misma es nuestra penalty,
en el llanto contienes compartment ...
Tú también, como yo, tienes el corazón
desgarrado.
Trad Italian
A Jarifa in an orgy
Give me, Jarifa, give me your hand, come and
posala on my forehead,
in a sea of \u200b\u200bmolten lava
I feel the burn head.
Come and Join my mouth your mouth
provocative, even shiver
where the kisses of your lover
yesterday.
Virtue, purity, what is it?
What is truth and love?
deceptive illusion of childhood that seduced
la mia giovinezza.
Dammi del vino:per affogarci
I miei ricordi; stordita
Inanimata, fugga la vita
Mi dia pace la tomba.
Il sudore brucia il mio viso
E rossi di sangue ardente
Brillano confusi i miei occhi,
mi scoppia il cuore.
Vattene, donna; ti detesto,
sento la tua mano sulla mia,
e sento fredda la tua mano
e sono di ghiaccio i tuoi baci.
Sempre uguale! Sciocche donne
Inventate altre carezze,
un altro mondo, altre delizie,
maledetto sia il piacere!
I vostri baci sono menzogneri,
menzogna la vostra tenerezza,
è bruttezza la vostra bellezza,
godervi è sofferenza.
I love, I want the glory, I
a joy divine,
as the image in my mind, as
does not exist in the world, and the light of that star
who tricked my fantasy
is false lights , a false driving
that blind and wandering dragging me. Why
died for the pleasure my soul
But still lives for a wicked pain?
Why, if I lie in indolent rest,
instead of peace, I feel an arid tedium?
Why this restless burning desire?
Why this strange and vague feeling, that I recognize
a rave,
and I continue to seek attractive lusinga?
Perché fingermi ancora amori e piaceri
di cui son certo che saranno menzogna?
Perché inseguendo il fantasma d’una donna
forse senza sapere il mio cuore delira,
se poi non trova prati né fiori,
ma spinosi cespugli e aridi deserti ,
e nei suoi vani o lascivi amori
soltanto troverà irritazione e fastidio?
Mi son lanciato, qual veloce cometa,
sulle ali della mia ardente fantasia
dovunque la mia inquieta folle mente
felicità e trionfi credeva di trovare.
Mi son lanciato con audace volo
fuori del mondo nello spazio etereo,
e vi ho trovato il dubbio, e il luminoso cielo
ho visto tramutarsi in illusione aerea.
Poi sulla terra la virtù, la gloria
ho cercato con ansia e delirante amore,
e putrida polvere e futile scoria
il mio stanco spirito ha trovato-.
Ho visto donne di purezza virginale
Tra bianche nubi di luce celeste;
le ho toccate e in fumo ho visto mutare
la purezza, in fango e putredine.
E dissolta mi è apparsa l’illusione,
eterno e insaziabile il desiderio.
Toccai la realtà e odiai la vita:
credo solo nella pace dei sepolcri.
E ancora cerco, bramoso cerco,
e ancora si finge e vuole l’anima diletti;
domando, e un’orrida voce
“Ahi, mi risponde, dispera e muori.
Muori, infelice: la vita è un tormento,
un inganno il piacere, sulla terra
non v’è pace gioia o felicità,
ma solo eterna ambizione e eterne guerra.
Così punisce Dio l’anima audace
che aspira, folle, nel suo insano delirio,
a scoprire della verità velata
al mortale l’insondabile arcano”.
Oh, smettila! No, non voglio
vedere né sapere più niente;
sazia e prostrata la mia anima
soltanto anela il riposo.
Muoia in me il sentimento,
poiché è morta la mia fortuna,
né il piacere né la tristezza
return to disturb my chest.
through, go into optical illusion deceived
and other young souls,
iridescent images of glory,
gold crowns and laurel, in the past.
Spend, spend, voluptuous women dancing in
festive confusion
passed as vaporous visions
not move or hurt my heart.
stun Let my imagination stirred by
toast and the clamor of the party, and
escape the night and the day
surprise me in an endless and stupid lethargy.
Come Jarifa,
you have suffered like me, never cry.
But not ignore it, or unhappy,
how bitter my pain.
Uguale è la nostra sofferenza,
invano trattieni il pianto…
Anche tu, come me,
hai un cuore infranto.
da: El diablo mundo
************************************
El ángel y el poeta
Ángel
¿Osas trepar, poeta, a la montaña
de oro del cenit?
Poeta
¡Quienquiera que seas
ángel sublime del empíreo cielo
radiante aparición, o del profundo
Príncipe condenado a eterno duelo
y a llanto eterno, dame que del mundo
rompa My soul grim prison,
my feet clear of mud unclean
Aquilón wings and we raise and guide! Angel
Son of Cain! On your forehead your pride irriverente
is recorded, and your mad folly: reports
your thoughts
black clouds swirling in dark about her crowd found
winds and the swift path of yellow light, in pale glimpse
,
uncertain burst of divine light, their shadows
lights,
muéstranme the poet in you,
the soul at war with his body concerned,
muéstranme seed in you, well, rebellious and generous
Cain! You
higher, poet, the kings,
you, whose holy laws are
your conscience and feeling;
that penetrate the arcane thought
the same God in your insane delusions,
dare raise your noble thought !
And you feel in your mind the serious
wonderful soft music, and sound world
harmony! What unfailing
feel cold and vile the calabra to your desire,
and fling perpetual vertigo, and insomnia
fret and your anxiety after you rush!
praying after the hope that perhaps pretend
, your illusion is released, beg for mercy now
and the gall of the memories you cry, now desperate
defy rebel to God and your grudge stubbornness!
Rise, finally, and break your chain,
and despite noble soul and fills the regions celica
and roll up in a heap at your plant
scepters, tiaras, crowns, beauty and
Gold, filthy mud,
as is scum and the glittering world and in your mind
wonderful link! Poet
Yes, pick me up, yes, on the wings of the storm I ride
dark, crossing my mind
ethereal rooms
fill my soul within the vacuum!
on my forehead el rayo se desprenda,
mi frente en Dios, mi planta en el profundo,
y al contemplar al Hacedor del mundo
mi espíritu en su espíritu se encienda
Trad. italiana
L’angelo e il poeta
ANGELO
Arrampicarti osi, poeta, sul monte
d’oro dello zenit?
POETA
Chiunque tu sia
angelo sublime dell’empireo cielo
radiante apparizione, o del profondo
Principe a eterna pena condannato
e a pianto eterno, consenti che del mondo
rompa l’anima mia l’oscuro carcere,
libera i piedi dall’immondo fango,
sull’ali d’Aquilone levami e guidami.
ANGELO
Oh figlio di Caino! Sulla tua fronte
il tuo orgoglio insolente
è inciso, e la tua folle insania:
dei tuoi neri informi pensieri
le nubi,che in buie spire
venti contrari su di lei ammassano
e il fugace solco di luce gialla
che in pallida penombra
raffica incerta di divina luce,
le sue ombre rischiara,
mostrino in te il poeta,
l’anima in guerra con il corpo inquieta,
mostrino in te la discendenza, insomma,
ribelle e generosa di Caino!
Tu più alto, poeta, che i monarchi,
tu, le cui sante leggi
son quelle del cuore e la coscienza;
che
thought to penetrate the mystery of God himself, in your insane delusion,
dare raise your noble thought!
And feel it in your mind the serious
wonderful soft music, and sound world
harmony! What remains
feel the cold and vile word in your desire, and in perpetual
vertigo and delirium, and sleepless nights
t'agiti
and run the cord of your anxiety! Now follow the hope
,
pretend that maybe, it launches the illusion, begging mercy
hours and the bitter memories of crying, desperate hours
rebel challenge to your God and rancor t'ostini!
Rise, short, and break the chain,
e l’anima nobile e di cruccio piena
alle regioni eteree innalza
e a mucchi rotolino sotto il tuo piede
gli scettri, le tiare, le corone,
la bellezza e l’oro, il fango immondo,
quanto è scoria e luce mondana,
che nella tua mente mirabile congiungi!
da: El estudiante de Salamanca
Ritratto di Félix de Montemar
Segundo don Juan Tenorio, Secondo don Juan Tenorio
alma fiera e insolente, anima fiera e insolente
irreligioso y valiente, empio e animoso
altanero y reñidor, altero e litigioso
siempre el insulto en los ojos, con the insult in the eyes
en los Labios the irony, and irony always on the lips,
todo y nada fears FIA fears nothing and everything
de su espada y su valor. the sword and entrusts his valor
Corazón gastado, Mofa Heart worn, mocks
de la mujer que cortejo of the woman who woos
hoy y deja despeciándola and today, despised, without the
que ayer if the rind. Yesterday's the one who surrendered.
Ni El Porvenir temió nunca, nor things to come the dreaded
ni Recuerda en Pasado or recalls of the past
la mujer que abandonado the woman who left
ni el dinero que lose. or the money they lost.
... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... .. En
famous Salamanca in Salamanca on famous
por vida y buen talante for his life and good looks to
Atrevida the daring student estudiante
the señalan entre mil: in a thousand is pointed up by the
fuero Osada, the law is its audacity
on the disculpa riqueza, he does forgive the rich, generous
on Nobleza, his generous nobility
on hermosura varonil. his manly beauty.
Que y sus Vicios on arrogance, His arrogance and his vices
caballeresca apostura, the prowess of the knight,
agilidad y skill agility and courage
ninguno alcanza a igualar: no one can match:
hasta que en sus crímenes mismos, even in his crimes
impiedad y en su altiveza in his impiety and arrogance,
poses a sello de Grandeza gives a sign of greatness
Don Félix de Montemar. Don Félix de Montemar
El estudiante de Salamanca, Part I, vv.100-139
Grandiose, satanic figure, a huge satanic figure, the high
frente, Montemar fireplace, a fronte alta Montemar cammina,
espíritu sublime en su locura, spirito sublime nella sua follia,
provocando la cólera divina: provocando la collera divina:
fábrica frágil de materia impura, fragile fabbrica di materia impura
el alma que la alienta y la ilumina l’anima che gli da soffio di vita e luce
con Dios le iguala, y con osado vuelo a Dio l’eguaglia, e con audace volo
se alza a su trono y le provoca a duelo. al suo trono sale e lo sfida a duello
Segundo Lucifer que se levanta Secondo Lucifero che s’alza
del rayo vengador la frente herida, la fronte ferita dal raggio vendicatore,
alma rebelde que el temor no espanta, anima ribelle che il tmore non turba,
hollada, sí, pero jamás vencida: schiacciata, sì, pero mai vinta:
el hombre enfin que en su ansiedad quebrantal’uomo che ansioso infine infrange
su límite a la cárcel de la vida, il limite della prigione della vita
y a Dios llama ante él a darle cuenta, e convoca Dio perché gli renda conto
y a descubrir su inmensidad intenta. e la sua immensità prova a scoprire. cerca.
El estudiante de Salamanca, Parte VI, vv.1245-1260 
Espronceda José (1808-1842)
Canción pirate from Poesias (1840) A Jarifa en
an orgy of Poesias (1840)
Portrait of Felix de Montemar by El Estudiante de Salamanca (1840)
El ángel y el diablo El mundo poet (published posthumously)
Canción del pirata
Con diez cañones por banda,
viento en popa a toda vela,
no corta el mar, sino vuela
un velero bergantín:
bajel pirata que llaman
por su bravura el Temido,
en todo mar conocido
del uno al otro confín.
La luna en el mar rïela,
en la lona gime el viento,
y alza en blando movimiento
olas de plata y azul.
Y ve el capitán pirata,
cantando alegre en la popa
Asia a un lado, al otro Europa
Y allá a su frente Stambul.
«Navega, velero mío,
sin temor,
que ni enemigo navío,
ni tormenta, ni bonanza
tu rumbo a torcer alcanza,
ni a sujetar tu valor.
Veinte presas
hemos hecho
a despecho
del inglés,
y han rendido
sus pendones
cien naciones
a mis pies.
Que es mi barco mi tesoro,
que es mi Dios la libertad,
mi ley la fuerza y el viento,
mi única patria, la mar.
Allá muevan feroz guerra
ciegos reyes
por un palmo más de tierra:
que yo tengo aquí por mío
cuanto abarca el mar bravío
a quien nadie impuso leyes.
Y no hay playa,
sea cualquiera
ni bandera
de esplendor,
que no sienta
mi derecho
and breastfeed my value.
That's my boat my treasure,
God is my freedom, my law
and wind force,
my only home is the sea.
to the voice of "boat coming!"
is to see how it turns and prevents
at full speed to escape:
I'm king of the sea,
and my anger is fear. The dams
I divide it equally caught
:
just want
for wealth
unrivaled beauty.
That's my boat my treasure,
God is my freedom, my law
and wind force,
my my only home is the sea.
Sentenced estoy a muerte!
Yo me río:
no me abandone la suerte,
y al mismo que me condena,
colgaré de alguna antena,
quizá en su propio navío.
Y si caigo
¿Qué es la vida?
Por perdida
ya la di,
cuando el yugo
del esclavo
como un bravo
sacudí.
Que es mi barco mi tesoro,
que es mi Dios la libertad,
mi ley la fuerza y el viento,
mi única patria, la mar.
Son mi música mejor
Aquilones
el estrépito y el temblor
de los cables sacudidos,
del negro mar los bramidos
y el rugir de mis cañones.
Y del trueno
al son violento
y del viento
al rebramar
yo me duermo
sosegado
arrullado por el mar.
Que es mi barco mi tesoro,
que es mi Dios la libertad,
mi ley la fuerza y el viento,
mi única patria la mar.
Canzone del pirata
Con dieci cannoni per lato
vento in poppa, a gonfie vele
non fende il mare, ma vola
un veliero brigantino:
vascello pirata detto
per il suo ardire il Temuto
conosciuto su ogni mare
dall’uno all’altro confine.
Splende la luna sul mare,
geme il vento sulla tela,
e con blando movimento
solleva onde d’argento.
It sees the pirate captain,
stern troll,
Europe and Asia on both sides in front of him
Istanbul.
"Search my sailboat,
without fear, no enemy shipping
or storm or calm
the route will divert
or humiliate your worth. Twenty prisoners
we have done in spite
of English, and have bowed
flags
hundred nations
at my feet.
My ship is my treasure, my God
freedom
my law
wind strength and my only home, the sea. The fair
war move
blind sovereign
per un palmo in più di terra:
qua io sono padrone
del grande indomito mare
a cui mai legge fu imposta.
E non c’è spiaggia,
qualunque sia,
né bandiera
di gran fama
che non senta
il mio diritto
né s’arrenda
al mio valore.
La mia nave è il mio tesoro,
mio Dio la libertà
mia legge la forza e il vento
mia unica patria, il mare.
All’annuncio “Nave in vista!”
guardate
come vira e s’appresta
rapido a fuggire:
io sono il re del mare,
la mia furia fa paura.
Del bottino
quanto ho preso
equally divide the
:
only wealth I aspire
unparalleled beauty.
My ship is my treasure, my God
freedom
my law
wind strength and my only home, the sea.
sentenced to death they sent me!
I shall laugh: the fate
not abandon me and he who condemns me,
maybe hang a pennant of his ship.
And if I fall,
What is life?
I
for lost time, when the yoke
slave
as fair
I shrugged.
My ship is my treasure, my God
freedom
My law
wind strength and my only home, the sea.
My best music are
kites,
the noise and tremor of the rigging taut, black sea
the roars the thunder of my cannon.
And at the sound of thunder and the wind violent
belling
to fall asleep lulled
placid sea.
My ship is my treasure, my God
freedom
my law
wind strength and my only home, the sea.
******************************
A Jarifa en an orgy
Trae, Jarifa, your hand, view and pósala
on my forehead
in a sea of \u200b\u200bmolten lava
my head I feel burning.
Come
meeting with my lips those lips that irritate me, where even kissing
throb of your lover yesterday.
What virtue, purity? What
truth and love? Lain
child illusion that flattered my youth.
Give me wine to drown it
my memories without feeling groggy
fleeing life, peace
bring me the casket.
Sweat
burning my face and red blood ardente
uncertain shine my eyes, I skipped
heart.
Huye, mujer: te detesto.
Siento tu mano en la mía,
y tu mano siento fría,
y tus besos hielos son.
¡Siempre igual! Necias mujeres,
inventad otras caricias,
otro mundo, otras delicias,
o maldito sea el placer
Vuestros besos son mentira,
mentira vuestra ternura.
Es fealdad vuestra hermosura,
vuestro gozo es padecer.
Yo quiero amor, quiero gloria,
quiero un deleite divino,
como en mi mente imagino,
como en el mundo no hay;
y es la luz de aquel lucero
que engañó mi fantasía,
fuego fatuo, falso guía
que errante y ciego me tray.
¿Por qué murió para el placer mi alma
y vive aún para el dolor impío?
¿Por qué si yazgo en indolente calma,
siento, en lugar de paz, árido hastío?
¿Por qué este inquieto, abrasador deseo?
¿Por qué este sentimiento extraño y vago,
que yo mismo conozco un devaneo
y busco aún su seductor halago?
¿Por qué aún fingirme amores y placeres
que cierto estoy de que serán mentira?
¿Por qué en pos de fantásticas mujeres
necio tal vez mi corazón delira,
if then, instead of grass and flowers, is
deserts and thistles,
and their watermelons or wanton annoyance
only find love and anger?
I threw, which quickly comet
on the wings of my burning fantasy
do any snatched my restless mind and triumphs
find such thought.
I threw with daring flight
outside world in the ethereal region, and found
doubt, and the radiant sky
vi become air illusion.
on earth Then virtue, glory, and anxiously looked
delirious love, and
heinous and despicable slag dust my weary spirit
found.
clean virginal women saw clouds
between blue light dawns;
touched me the smoke and saw bartered
purity, and mud and decay.
And I found my hopes faded
my eternal and insatiable desire;
felt my reality and I hated life.
Only in the peace of the grave I think.
And I look and still look greedy,
and still delights the soul and wants to pretend:
wonder and dread
accent "Ah, I answered, despair, and die.
Die, unhappy: life is a torment, deception
pleasure, not on earth
to you or that or happy, but eternal
ambition and eternal war.
So let God punish the daring soul, aspiring mad
, in frenzy,
of truth for the deadly
evening to discover the unfathomable arcane. "Oh
?, Ceases, no, I do not want
see more, or know nothing;
fed my soul and prostrate
anela just relax.
die in my feeling and died
for my happiness,
or pleasure or sadness
back to haunt my chest.
Pass, pasad en óptica ilusoria
y otras jóvenes almas engañad;
nacaradas imágenes de gloria,
coronas de oro y de laurel, pasad.
Pasad, pasad mujeres voluptuosas,
con danza y algazara en confusión;
pasad como visiones vaporosas
sin conmover ni herir mi corazón.
Y aturdan mi revuelta fantasía
los brindis y el estruendo del festín,
y huya la noche y me sorprenda el día
en un letargo estúpido y sin fin.
Ven Jarifa; tú has sufrido
como yo; tú nunca lloras;
mas ¡ay triste!, que no ignoras
cuán amarga es mi aflicción.
A Misma es nuestra penalty,
en el llanto contienes compartment ...
Tú también, como yo, tienes el corazón
desgarrado.
Trad Italian
A Jarifa in an orgy
Give me, Jarifa, give me your hand, come and
posala on my forehead,
in a sea of \u200b\u200bmolten lava
I feel the burn head.
Come and Join my mouth your mouth
provocative, even shiver
where the kisses of your lover
yesterday.
Virtue, purity, what is it?
What is truth and love?
deceptive illusion of childhood that seduced
la mia giovinezza.
Dammi del vino:per affogarci
I miei ricordi; stordita
Inanimata, fugga la vita
Mi dia pace la tomba.
Il sudore brucia il mio viso
E rossi di sangue ardente
Brillano confusi i miei occhi,
mi scoppia il cuore.
Vattene, donna; ti detesto,
sento la tua mano sulla mia,
e sento fredda la tua mano
e sono di ghiaccio i tuoi baci.
Sempre uguale! Sciocche donne
Inventate altre carezze,
un altro mondo, altre delizie,
maledetto sia il piacere!
I vostri baci sono menzogneri,
menzogna la vostra tenerezza,
è bruttezza la vostra bellezza,
godervi è sofferenza.
I love, I want the glory, I
a joy divine,
as the image in my mind, as
does not exist in the world, and the light of that star
who tricked my fantasy
is false lights , a false driving
that blind and wandering dragging me. Why
died for the pleasure my soul
But still lives for a wicked pain?
Why, if I lie in indolent rest,
instead of peace, I feel an arid tedium?
Why this restless burning desire?
Why this strange and vague feeling, that I recognize
a rave,
and I continue to seek attractive lusinga?
Perché fingermi ancora amori e piaceri
di cui son certo che saranno menzogna?
Perché inseguendo il fantasma d’una donna
forse senza sapere il mio cuore delira,
se poi non trova prati né fiori,
ma spinosi cespugli e aridi deserti ,
e nei suoi vani o lascivi amori
soltanto troverà irritazione e fastidio?
Mi son lanciato, qual veloce cometa,
sulle ali della mia ardente fantasia
dovunque la mia inquieta folle mente
felicità e trionfi credeva di trovare.
Mi son lanciato con audace volo
fuori del mondo nello spazio etereo,
e vi ho trovato il dubbio, e il luminoso cielo
ho visto tramutarsi in illusione aerea.
Poi sulla terra la virtù, la gloria
ho cercato con ansia e delirante amore,
e putrida polvere e futile scoria
il mio stanco spirito ha trovato-.
Ho visto donne di purezza virginale
Tra bianche nubi di luce celeste;
le ho toccate e in fumo ho visto mutare
la purezza, in fango e putredine.
E dissolta mi è apparsa l’illusione,
eterno e insaziabile il desiderio.
Toccai la realtà e odiai la vita:
credo solo nella pace dei sepolcri.
E ancora cerco, bramoso cerco,
e ancora si finge e vuole l’anima diletti;
domando, e un’orrida voce
“Ahi, mi risponde, dispera e muori.
Muori, infelice: la vita è un tormento,
un inganno il piacere, sulla terra
non v’è pace gioia o felicità,
ma solo eterna ambizione e eterne guerra.
Così punisce Dio l’anima audace
che aspira, folle, nel suo insano delirio,
a scoprire della verità velata
al mortale l’insondabile arcano”.
Oh, smettila! No, non voglio
vedere né sapere più niente;
sazia e prostrata la mia anima
soltanto anela il riposo.
Muoia in me il sentimento,
poiché è morta la mia fortuna,
né il piacere né la tristezza
return to disturb my chest.
through, go into optical illusion deceived
and other young souls,
iridescent images of glory,
gold crowns and laurel, in the past.
Spend, spend, voluptuous women dancing in
festive confusion
passed as vaporous visions
not move or hurt my heart.
stun Let my imagination stirred by
toast and the clamor of the party, and
escape the night and the day
surprise me in an endless and stupid lethargy.
Come Jarifa,
you have suffered like me, never cry.
But not ignore it, or unhappy,
how bitter my pain.
Uguale è la nostra sofferenza,
invano trattieni il pianto…
Anche tu, come me,
hai un cuore infranto.
da: El diablo mundo
************************************
El ángel y el poeta
Ángel
¿Osas trepar, poeta, a la montaña
de oro del cenit?
Poeta
¡Quienquiera que seas
ángel sublime del empíreo cielo
radiante aparición, o del profundo
Príncipe condenado a eterno duelo
y a llanto eterno, dame que del mundo
rompa My soul grim prison,
my feet clear of mud unclean
Aquilón wings and we raise and guide! Angel
Son of Cain! On your forehead your pride irriverente
is recorded, and your mad folly: reports
your thoughts
black clouds swirling in dark about her crowd found
winds and the swift path of yellow light, in pale glimpse
,
uncertain burst of divine light, their shadows
lights,
muéstranme the poet in you,
the soul at war with his body concerned,
muéstranme seed in you, well, rebellious and generous
Cain! You
higher, poet, the kings,
you, whose holy laws are
your conscience and feeling;
that penetrate the arcane thought
the same God in your insane delusions,
dare raise your noble thought !
And you feel in your mind the serious
wonderful soft music, and sound world
harmony! What unfailing
feel cold and vile the calabra to your desire,
and fling perpetual vertigo, and insomnia
fret and your anxiety after you rush!
praying after the hope that perhaps pretend
, your illusion is released, beg for mercy now
and the gall of the memories you cry, now desperate
defy rebel to God and your grudge stubbornness!
Rise, finally, and break your chain,
and despite noble soul and fills the regions celica
and roll up in a heap at your plant
scepters, tiaras, crowns, beauty and
Gold, filthy mud,
as is scum and the glittering world and in your mind
wonderful link! Poet
Yes, pick me up, yes, on the wings of the storm I ride
dark, crossing my mind
ethereal rooms
fill my soul within the vacuum!
on my forehead el rayo se desprenda,
mi frente en Dios, mi planta en el profundo,
y al contemplar al Hacedor del mundo
mi espíritu en su espíritu se encienda
Trad. italiana
L’angelo e il poeta
ANGELO
Arrampicarti osi, poeta, sul monte
d’oro dello zenit?
POETA
Chiunque tu sia
angelo sublime dell’empireo cielo
radiante apparizione, o del profondo
Principe a eterna pena condannato
e a pianto eterno, consenti che del mondo
rompa l’anima mia l’oscuro carcere,
libera i piedi dall’immondo fango,
sull’ali d’Aquilone levami e guidami.
ANGELO
Oh figlio di Caino! Sulla tua fronte
il tuo orgoglio insolente
è inciso, e la tua folle insania:
dei tuoi neri informi pensieri
le nubi,che in buie spire
venti contrari su di lei ammassano
e il fugace solco di luce gialla
che in pallida penombra
raffica incerta di divina luce,
le sue ombre rischiara,
mostrino in te il poeta,
l’anima in guerra con il corpo inquieta,
mostrino in te la discendenza, insomma,
ribelle e generosa di Caino!
Tu più alto, poeta, che i monarchi,
tu, le cui sante leggi
son quelle del cuore e la coscienza;
che
thought to penetrate the mystery of God himself, in your insane delusion,
dare raise your noble thought!
And feel it in your mind the serious
wonderful soft music, and sound world
harmony! What remains
feel the cold and vile word in your desire, and in perpetual
vertigo and delirium, and sleepless nights
t'agiti
and run the cord of your anxiety! Now follow the hope
,
pretend that maybe, it launches the illusion, begging mercy
hours and the bitter memories of crying, desperate hours
rebel challenge to your God and rancor t'ostini!
Rise, short, and break the chain,
e l’anima nobile e di cruccio piena
alle regioni eteree innalza
e a mucchi rotolino sotto il tuo piede
gli scettri, le tiare, le corone,
la bellezza e l’oro, il fango immondo,
quanto è scoria e luce mondana,
che nella tua mente mirabile congiungi!
da: El estudiante de Salamanca
Ritratto di Félix de Montemar
Segundo don Juan Tenorio, Secondo don Juan Tenorio
alma fiera e insolente, anima fiera e insolente
irreligioso y valiente, empio e animoso
altanero y reñidor, altero e litigioso
siempre el insulto en los ojos, con the insult in the eyes
en los Labios the irony, and irony always on the lips,
todo y nada fears FIA fears nothing and everything
de su espada y su valor. the sword and entrusts his valor
Corazón gastado, Mofa Heart worn, mocks
de la mujer que cortejo of the woman who woos
hoy y deja despeciándola and today, despised, without the
que ayer if the rind. Yesterday's the one who surrendered.
Ni El Porvenir temió nunca, nor things to come the dreaded
ni Recuerda en Pasado or recalls of the past
la mujer que abandonado the woman who left
ni el dinero que lose. or the money they lost.
... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... .. En
famous Salamanca in Salamanca on famous
por vida y buen talante for his life and good looks to
Atrevida the daring student estudiante
the señalan entre mil: in a thousand is pointed up by the
fuero Osada, the law is its audacity
on the disculpa riqueza, he does forgive the rich, generous
on Nobleza, his generous nobility
on hermosura varonil. his manly beauty.
Que y sus Vicios on arrogance, His arrogance and his vices
caballeresca apostura, the prowess of the knight,
agilidad y skill agility and courage
ninguno alcanza a igualar: no one can match:
hasta que en sus crímenes mismos, even in his crimes
impiedad y en su altiveza in his impiety and arrogance,
poses a sello de Grandeza gives a sign of greatness
Don Félix de Montemar. Don Félix de Montemar
El estudiante de Salamanca, Part I, vv.100-139
Grandiose, satanic figure, a huge satanic figure, the high
frente, Montemar fireplace, a fronte alta Montemar cammina,
espíritu sublime en su locura, spirito sublime nella sua follia,
provocando la cólera divina: provocando la collera divina:
fábrica frágil de materia impura, fragile fabbrica di materia impura
el alma que la alienta y la ilumina l’anima che gli da soffio di vita e luce
con Dios le iguala, y con osado vuelo a Dio l’eguaglia, e con audace volo
se alza a su trono y le provoca a duelo. al suo trono sale e lo sfida a duello
Segundo Lucifer que se levanta Secondo Lucifero che s’alza
del rayo vengador la frente herida, la fronte ferita dal raggio vendicatore,
alma rebelde que el temor no espanta, anima ribelle che il tmore non turba,
hollada, sí, pero jamás vencida: schiacciata, sì, pero mai vinta:
el hombre enfin que en su ansiedad quebrantal’uomo che ansioso infine infrange
su límite a la cárcel de la vida, il limite della prigione della vita
y a Dios llama ante él a darle cuenta, e convoca Dio perché gli renda conto
y a descubrir su inmensidad intenta. e la sua immensità prova a scoprire. cerca.
El estudiante de Salamanca, Parte VI, vv.1245-1260
Where To Buy Awesome Socks
Duque de Rivas
Ángel SAAVEDRA, DUQUE DE RIVAS (1791-1865)
Monologo di Don Álvaro da Don Álvaro o la fuerza del sino (1835)
Jornada, escena III, ed. de D. Shaw, Madrid Castalia
(El teatro representa una selva en una noche muy oscura. Aparece en el fondo don Álvaro, solo, vestido de granaderos; se acerca lentamente y dice con gran agitación)
Don Álvaro (Solo)
¡Qué carga tan insufrible
es el ambiente vital!
para el mezquino mortal
que nace en signo terribile!
¡Qué eternidad tan horrible
la breve vida! Este mundo,
qué calabozo profundo
para el hombre desdichado
a quien mira el cielo airado
con su ceño furibundo!
Parece, sí, que a medida
que es más dura y más amarga
more extended, more destination
longer life.
If we are granted only to suffer, and be very brief
be
the Happy, as in pain
that your object is not full,
terribile thing is born!
In that tranquil, joyful lives
applause and honors, and innocent
hurry love the tasty cup;
when it is strong and vigorous, his happiness
death track, hit by
their fortunes;
and me unhappy I am, am I searching I
,
I can not find her.
But how shall I get,
hapless me! For when unhappy
born, born
para envejecer?
Si aquel día de placer
(que uno solo he disfrutado),
fortuna hubiese fijado,
¡cuán pronto muerte precoz
con su guadaña feroz
mi cuello hubiera segado!
Para engalanar mi frente,
allá en la abrasada zona,
con la espléndida corona
del imperio de Occidente,
amor y ambición ardiente
me engendraron de concierto,
pero con tal desacierto,
con tan contraria fortuna,
que una cárcel fue mi cuna
y fue mi escuela el desierto.
Entre bárbaros crecí,
y en la edad de la razón,
a cumplir la obligación
que un hijo tiene acudí;
mi nombre ocultando, fui
(que es un crimen) a salvar
la vida, y así pagar
a los que a mí me la dieron,
que un trono soñando vieron
y un cadalso al despertar.
Entonces, risueño un día,
uno solo, nada más,
me dió el destino, quizás
con intención más impía.
Así en la cárcel sombría
mete una luz el sayón,
con la tirana intención
de que un punto el preso vea
el horror que le rodea
en su espantosa mansión.
¡Sevilla! ¡Guadalquivir!
¡Cuál atormentáis mi mente!…
¡Noche en que vi de repente
mis breves dichas huir!
¡Oh, qué carga es el vivir!
¡Cielos, saciad el furor!…
Socórreme, mi Leonor,
gala del suelo andaluz,
que ya eres ángel de luz
junto al trono del Señor.
Mírame desde tu altura
Sin nombre en extraña tierra,
empeñado en una guerra
por ganar mi sepultura.
¡Qué me importa, por ventura,
que triunfe Carlos o no?
¡Qué tengo? ¡Terrible suerte!
Que en ella reina la muerte,
y a la muerte busco yo.
¡Cuánto, oh Dios, cuánto se engaña
el que elogia mi ardor ciego,
viéndome siempre en el fuego
de esta extranjera campaña!
Llámanme la prez de España,
y no saben que mi ardor
sólo es falta de valor,
pues busco ansioso el morir
por no osar el resistir
de los astros el furor.
Si el mundo colma de honores
al que mata a su enemigo,
el que lo lleva consigo,
¿ por qué no puede…?
(Óyese ruido de espadas)
::::::::::::::::::::::::::::::::::::::::: 
Ángel SAAVEDRA, DUQUE DE RIVAS (1791-1865)
Monologo di Don Álvaro da Don Álvaro o la fuerza del sino (1835)
Jornada, escena III, ed. de D. Shaw, Madrid Castalia
(El teatro representa una selva en una noche muy oscura. Aparece en el fondo don Álvaro, solo, vestido de granaderos; se acerca lentamente y dice con gran agitación)
Don Álvaro (Solo)
¡Qué carga tan insufrible
es el ambiente vital!
para el mezquino mortal
que nace en signo terribile!
¡Qué eternidad tan horrible
la breve vida! Este mundo,
qué calabozo profundo
para el hombre desdichado
a quien mira el cielo airado
con su ceño furibundo!
Parece, sí, que a medida
que es más dura y más amarga
more extended, more destination
longer life.
If we are granted only to suffer, and be very brief
be
the Happy, as in pain
that your object is not full,
terribile thing is born!
In that tranquil, joyful lives
applause and honors, and innocent
hurry love the tasty cup;
when it is strong and vigorous, his happiness
death track, hit by
their fortunes;
and me unhappy I am, am I searching I
,
I can not find her.
But how shall I get,
hapless me! For when unhappy
born, born
para envejecer?
Si aquel día de placer
(que uno solo he disfrutado),
fortuna hubiese fijado,
¡cuán pronto muerte precoz
con su guadaña feroz
mi cuello hubiera segado!
Para engalanar mi frente,
allá en la abrasada zona,
con la espléndida corona
del imperio de Occidente,
amor y ambición ardiente
me engendraron de concierto,
pero con tal desacierto,
con tan contraria fortuna,
que una cárcel fue mi cuna
y fue mi escuela el desierto.
Entre bárbaros crecí,
y en la edad de la razón,
a cumplir la obligación
que un hijo tiene acudí;
mi nombre ocultando, fui
(que es un crimen) a salvar
la vida, y así pagar
a los que a mí me la dieron,
que un trono soñando vieron
y un cadalso al despertar.
Entonces, risueño un día,
uno solo, nada más,
me dió el destino, quizás
con intención más impía.
Así en la cárcel sombría
mete una luz el sayón,
con la tirana intención
de que un punto el preso vea
el horror que le rodea
en su espantosa mansión.
¡Sevilla! ¡Guadalquivir!
¡Cuál atormentáis mi mente!…
¡Noche en que vi de repente
mis breves dichas huir!
¡Oh, qué carga es el vivir!
¡Cielos, saciad el furor!…
Socórreme, mi Leonor,
gala del suelo andaluz,
que ya eres ángel de luz
junto al trono del Señor.
Mírame desde tu altura
Sin nombre en extraña tierra,
empeñado en una guerra
por ganar mi sepultura.
¡Qué me importa, por ventura,
que triunfe Carlos o no?
¡Qué tengo? ¡Terrible suerte!
Que en ella reina la muerte,
y a la muerte busco yo.
¡Cuánto, oh Dios, cuánto se engaña
el que elogia mi ardor ciego,
viéndome siempre en el fuego
de esta extranjera campaña!
Llámanme la prez de España,
y no saben que mi ardor
sólo es falta de valor,
pues busco ansioso el morir
por no osar el resistir
de los astros el furor.
Si el mundo colma de honores
al que mata a su enemigo,
el que lo lleva consigo,
¿ por qué no puede…?
(Óyese ruido de espadas)
:::::::::::::::::::::::::::::::::::::::::
Ebay And Empty Box Scam
Diapositivas Don Álvaro
1)Duque de Rivas
-Biografia
-Opere: drammi e romances
-Novità del teatro romantico
-Don Álvaro o la fuerza del sino
trama e ricezione
-The romantic character of Don Alvaro
2) Biography 1791-1865
-aristocratic liberalism
-Membership-Exile: London Malta Paris (1823)
-romantic encounter with culture-
Back at home ( 1833)-The literary success
-El Moro Expósito (1834)
-Don Alvaro (1835)
-political developments
moderate-Minister-
-Senator Ambassador to Naples
3) Works: dramas and romances
-Sources of Inspiration:
-historical and literary tradition English: Medieval-Golden Age
-1834. El moro Expósito
-narrative poems based on the legend of the Infantes de Lara
Prologue-poster-Alcalá Galiano
the "romance actual": critical thinking and metaphysical poetry
-1835. Don Alvaro, or until the fuerza. Drama in 5 jornadas
-1841 Historical Romances
4) News of the romantic theater
-themes: the epic past, historical, legendary
-Made: the failure of the Aristotelian unities
-shape: a mixture of prose and verse
-style: mixture of tragic and comic
log-staging: a taste of the pathetic, picturesque, spectacular
-The vision of the world: the absurd existential
5) Don Alvaro, or until the fuerza
-I-jornada
The protagonist Don Alvaro, of mysterious origin, who arrived in Spain from the colonies, falls in love with the noble Leonor. While trying to kidnap, kill, without intending to, her father who opposes the marriage. Flees to Italy where he enlisted in the English army.
-II jornada
-reached by the brother of Leonor, who seeks revenge, challenged to a duel, kills him.
-III-jornada
desperate Leonor chooses to live as a hermit near a monastery.
-IV jornada
-Don Alvaro luckily escaped the prison, convinced della morte di Leonor , torna in Spagna e anche lui decide di chiudersi in convento
-V jornada
Il secondo fratello di Leonor anch’egli in cerca di don Álvaro, trovatolo, lo sfida a duello. Ferito a morte chiede i sacramenti. Álvaro cerca l’eremità che si scopre essere Leonor. Il fratello per onore uccide Leonor. Álvaro, disperato, si suicida.
6) Don Álvaro o la fuerza del sino
-La ricezione di pubblico e critica: consensi e rifiuti
-Romanticismo “histórico” e “romanticismo actual” (1830-1850)
7) Il personaggio romantico di Don Álvaro
-Ragione e sentimento
-La forza destination destination-come segno
of punishment?
-destination come segno dell 'assurdo? Regola thing
-Che la vita: the case beffardo Provvidenza or il? Rivolta
-Symbolism and the personaggi:
-Assenza di valori assoluti
-Ingiustizia tradizionali sociale e ingiustizia metaphysics
-Il-Il
modern tragic suicide all'assurdo come risposta della vita 
1)Duque de Rivas
-Biografia
-Opere: drammi e romances
-Novità del teatro romantico
-Don Álvaro o la fuerza del sino
trama e ricezione
-The romantic character of Don Alvaro
2) Biography 1791-1865
-aristocratic liberalism
-Membership-Exile: London Malta Paris (1823)
-romantic encounter with culture-
Back at home ( 1833)-The literary success
-El Moro Expósito (1834)
-Don Alvaro (1835)
-political developments
moderate-Minister-
-Senator Ambassador to Naples
3) Works: dramas and romances
-Sources of Inspiration:
-historical and literary tradition English: Medieval-Golden Age
-1834. El moro Expósito
-narrative poems based on the legend of the Infantes de Lara
Prologue-poster-Alcalá Galiano
the "romance actual": critical thinking and metaphysical poetry
-1835. Don Alvaro, or until the fuerza. Drama in 5 jornadas
-1841 Historical Romances
4) News of the romantic theater
-themes: the epic past, historical, legendary
-Made: the failure of the Aristotelian unities
-shape: a mixture of prose and verse
-style: mixture of tragic and comic
log-staging: a taste of the pathetic, picturesque, spectacular
-The vision of the world: the absurd existential
5) Don Alvaro, or until the fuerza
-I-jornada
The protagonist Don Alvaro, of mysterious origin, who arrived in Spain from the colonies, falls in love with the noble Leonor. While trying to kidnap, kill, without intending to, her father who opposes the marriage. Flees to Italy where he enlisted in the English army.
-II jornada
-reached by the brother of Leonor, who seeks revenge, challenged to a duel, kills him.
-III-jornada
desperate Leonor chooses to live as a hermit near a monastery.
-IV jornada
-Don Alvaro luckily escaped the prison, convinced della morte di Leonor , torna in Spagna e anche lui decide di chiudersi in convento
-V jornada
Il secondo fratello di Leonor anch’egli in cerca di don Álvaro, trovatolo, lo sfida a duello. Ferito a morte chiede i sacramenti. Álvaro cerca l’eremità che si scopre essere Leonor. Il fratello per onore uccide Leonor. Álvaro, disperato, si suicida.
6) Don Álvaro o la fuerza del sino
-La ricezione di pubblico e critica: consensi e rifiuti
-Romanticismo “histórico” e “romanticismo actual” (1830-1850)
7) Il personaggio romantico di Don Álvaro
-Ragione e sentimento
-La forza destination destination-come segno
of punishment?
-destination come segno dell 'assurdo? Regola thing
-Che la vita: the case beffardo Provvidenza or il? Rivolta
-Symbolism and the personaggi:
-Assenza di valori assoluti
-Ingiustizia tradizionali sociale e ingiustizia metaphysics
-Il-Il
modern tragic suicide all'assurdo come risposta della vita
Herpes On Chest And Arms?
Una duda de acentuación
Here is the answer to the question arising during the lesson:
but (if different) adversative conjunction
1 is used to con-traponer to something that is denied other states: It's not my birthday but my birthday. 2
idea is also expressed exception: Who else would call you so late?
3 (not preceded) Just, just, I do but what you send me. 4 In
not only ... but (also), is used to add one or more other members to the phrase Not only was a good cook, but also a fantastic host. Phrases and idioms
1 no longer * ... ~ O I do not ... ~. 
Here is the answer to the question arising during the lesson:
but (if different) adversative conjunction
1 is used to con-traponer to something that is denied other states: It's not my birthday but my birthday. 2
idea is also expressed exception: Who else would call you so late?
3 (not preceded) Just, just, I do but what you send me. 4 In
not only ... but (also), is used to add one or more other members to the phrase Not only was a good cook, but also a fantastic host. Phrases and idioms
1 no longer * ... ~ O I do not ... ~.
What 2 Colours Should I Paint My Bmx Bike
Análisis uso: Entonces...
Definitions:
According to RAE: then (then).
1. adv. t. At such time or occasion.
2. conj. ILATID. In this case, to be so.
in that ~.
1. loc. adv. then (‖ at such time or occasion).
~, or as ~.
1. interjs. U. confessed to provide for the speaker, as taking from what you say what is obvious consequence. According
DA Salamanca: temporal adverb then
1 Relative to past or future:
2 At that time, at that moment: He was living in another country. The then King of Spain.
Notes: Preceded by the prepositions of, to, from, to, by the time 'equals', 'one time': Since then no one speaks. See you next month, hope you are recovered by then. If you do not pay up Navidad, no trabajaré hasta entonces.
3 Después de, después de eso: Primero hablarán con los empleados y entonces decidirán el futuro de la empresa.
adverbio,conjunción consecutiva
1 Introduce una consecuencia o una conclusión que se deduce de lo que se acaba de decir y equivale a ` en tal caso` , ` siendo así` o ` por consiguiente`: Mamá no ha regresado del trabajo, entonces preparemos la cena nosotros. Las puertas han estado cerradas todo el día, entonces el asesino sigue dentro de casa.en tal caso` , ` siendo así` o ` por consiguiente`: Mamá no ha regresado del trabajo, entonces preparemos la cena nosotros. Las puertas han estado cerradas todo el día, then the murderer is still inside the house.
Notes: conditional sentences, intensifies the logical character of what is involved: If you are at home, then have to be in the office. At the beginning of a sentence or after but oy highlights certain information related to what was just said: But then where's the family? Then you are the winner.
2 Pragmatics: summarizer final. Used when you end a conversation or thought that there is nothing more to say regarding what he was talking about: So, we can terminate the session. Interjection
1 Use / registration: colloquial. Used to highlight, as logical, the result of an act or a situation: - `Do not beat because no evidence had prepared." '(For) then! " Phrases and idioms
1 for (that) ~ or ~ By the time that: In those days people did not have television and walking.
Examples:
What happens is that when standards are in force, that the English manufacturers are the first concerned, then the rules must meet these toys from an economic type that comes from Japan, Taiwan, Korea.
In a very soft, what we do is we're turning as the liver, kidney, all our internal organs as normally by age, stress functional as evil, then in a very gentle, very slow, what we do is to work regularly without any strong physical or mental shock. Ncome
a tendency to sleep too, under the influence, in principle, suspicion of the doctor who received a drug intoxication. I mean, what could I have had blood drug, cocaine or heroin? It was thought a medicine might cause drowsiness, then, is an analysis which ruled out all possible medications that can produce these effects, and that's when and found the results I had drugs.
Joking aside, one of the big fights a year in each center especially health, it is when productivity ... then we started seeing each other in the corner of my eye, that if so-and 20 hard charging more than I (and this is true) that if it does not do Somebody's niece or the egg, and I, working as a tattered, I'm last on the list ... Not the money, in my opinion, that peak is the place where you stand, even for 20 drives (one euro).
The truth is that it is quite difficult trying to get the four, seem to have incompatible schedules. I would then, that at least is likely to too late for next week's topics that students are going to try this course. Am I the mail you send?
COUNT (inquisitorial) So, dude. How much, or is little ...?
AMALIA (sottovoce) Plenty. And now I am his madness to himself. Crazy.
COUNT (timid) Then I should not leave you here alone with a madman in the middle of the tomato. Maybe you and pokes you.
AMALIA (painful) Oh, Daddy, do not be beaten. Take it easy. There will be no setback.
EMILIA (melancholic) ... when one is already one like no other, and already more than enough of the fat in chocolate cake, and chocolate bars, and cocoa, then the onion is and all the love of loves, and vegetables are the moonlight as the nightingales, and are much better than a cup of chocolate milk.
I want to come here and then we'll talk. 
Definitions:
According to RAE: then (then).
1. adv. t. At such time or occasion.
2. conj. ILATID. In this case, to be so.
in that ~.
1. loc. adv. then (‖ at such time or occasion).
~, or as ~.
1. interjs. U. confessed to provide for the speaker, as taking from what you say what is obvious consequence. According
DA Salamanca: temporal adverb then
1 Relative to past or future:
2 At that time, at that moment: He was living in another country. The then King of Spain.
Notes: Preceded by the prepositions of, to, from, to, by the time 'equals', 'one time': Since then no one speaks. See you next month, hope you are recovered by then. If you do not pay up Navidad, no trabajaré hasta entonces.
3 Después de, después de eso: Primero hablarán con los empleados y entonces decidirán el futuro de la empresa.
adverbio,conjunción consecutiva
1 Introduce una consecuencia o una conclusión que se deduce de lo que se acaba de decir y equivale a ` en tal caso` , ` siendo así` o ` por consiguiente`: Mamá no ha regresado del trabajo, entonces preparemos la cena nosotros. Las puertas han estado cerradas todo el día, entonces el asesino sigue dentro de casa.en tal caso` , ` siendo así` o ` por consiguiente`: Mamá no ha regresado del trabajo, entonces preparemos la cena nosotros. Las puertas han estado cerradas todo el día, then the murderer is still inside the house.
Notes: conditional sentences, intensifies the logical character of what is involved: If you are at home, then have to be in the office. At the beginning of a sentence or after but oy highlights certain information related to what was just said: But then where's the family? Then you are the winner.
2 Pragmatics: summarizer final. Used when you end a conversation or thought that there is nothing more to say regarding what he was talking about: So, we can terminate the session. Interjection
1 Use / registration: colloquial. Used to highlight, as logical, the result of an act or a situation: - `Do not beat because no evidence had prepared." '(For) then! " Phrases and idioms
1 for (that) ~ or ~ By the time that: In those days people did not have television and walking.
Examples:
What happens is that when standards are in force, that the English manufacturers are the first concerned, then the rules must meet these toys from an economic type that comes from Japan, Taiwan, Korea.
In a very soft, what we do is we're turning as the liver, kidney, all our internal organs as normally by age, stress functional as evil, then in a very gentle, very slow, what we do is to work regularly without any strong physical or mental shock. Ncome
a tendency to sleep too, under the influence, in principle, suspicion of the doctor who received a drug intoxication. I mean, what could I have had blood drug, cocaine or heroin? It was thought a medicine might cause drowsiness, then, is an analysis which ruled out all possible medications that can produce these effects, and that's when and found the results I had drugs.
Joking aside, one of the big fights a year in each center especially health, it is when productivity ... then we started seeing each other in the corner of my eye, that if so-and 20 hard charging more than I (and this is true) that if it does not do Somebody's niece or the egg, and I, working as a tattered, I'm last on the list ... Not the money, in my opinion, that peak is the place where you stand, even for 20 drives (one euro).
The truth is that it is quite difficult trying to get the four, seem to have incompatible schedules. I would then, that at least is likely to too late for next week's topics that students are going to try this course. Am I the mail you send?
COUNT (inquisitorial) So, dude. How much, or is little ...?
AMALIA (sottovoce) Plenty. And now I am his madness to himself. Crazy.
COUNT (timid) Then I should not leave you here alone with a madman in the middle of the tomato. Maybe you and pokes you.
AMALIA (painful) Oh, Daddy, do not be beaten. Take it easy. There will be no setback.
EMILIA (melancholic) ... when one is already one like no other, and already more than enough of the fat in chocolate cake, and chocolate bars, and cocoa, then the onion is and all the love of loves, and vegetables are the moonlight as the nightingales, and are much better than a cup of chocolate milk.
I want to come here and then we'll talk.
Install Office 2003 From Usb Flash Disk
Análisis uso: Después de que...
For its part, "the anesthesiologists did not want to sleep to patients who are to be sterilized without serious instructions or have the consent of the patient," he said recalling the "warnings from the insurance companies." This scandal now splashed
France after the press of other European countries has uncovered similar complaints. In late August it became known that there have been sterilized in Sweden forzosas entre los años 1935 y 1976 con el fin de eliminar tipos raciales "inferiores". Suiza y Noruega realizaron prácticas similares y aún hoy, según las denuncias, Austria somete a la esterilización forzosa a deficientes mentales y otras personas consideradas "asociales".
Yusef el Badri, un jeque barbudo que tiene a gala ser el látigo de los infieles, pleiteador casi profesional desde hace años y que se ha erigido en el defensor de las más puras esencias islámicas en Egipto, según el concepto más conservador de esta religión, sonreía victorioso el martes pasado después de que el Tribunal Administrativo de El Cairo anulase una orden del Ministerio Health by prohibiting the practice of female genital mutilation in public hospitals. Only days before, a girl of 13, one more died in a public hospital, where his family had been to practice female circumcision, to not resist the anesthesia.
Progressive Women's Association has written to the media which accuses the mayor of show Baltanás intolerant, macho tyrant. This public report is produced after the highest representative of the consistory of Baltanás, Michael Gates, the Popular Party, insulting the Socialist councilor Carmen González. Según el escrito, Puertas se dirigió a la edil en estos términos: "Estar tú o el palo de una escoba es lo mismo". La Asociación de Mujeres Progresistas considera que este insulto está dirigido a todas las mujeres e insta al presidente del Partido Popular en Palencia, Fernández Carriedo para que exija al alcalde de Baltanás una rectificación y disculpa pública.
"Tuvimos que desnudar la biografía de mujeres que fueron utilizadas como icono de una época" -ha explicado-, "como Santa Teresa de Jesús, que fue referente de la Sección Femenina y de todo el régimen franquista, cuando en realidad fue una mujer que construyó su identidad y la de sus monjas desobedeciendo male authority. "However, according to Susanna Tavera, most of the biographies listed in the encyclopedia are little-known women," who have had to bail, after the official history submit an oversight systematic, deliberate and fully conscious. " 
For its part, "the anesthesiologists did not want to sleep to patients who are to be sterilized without serious instructions or have the consent of the patient," he said recalling the "warnings from the insurance companies." This scandal now splashed
France after the press of other European countries has uncovered similar complaints. In late August it became known that there have been sterilized in Sweden forzosas entre los años 1935 y 1976 con el fin de eliminar tipos raciales "inferiores". Suiza y Noruega realizaron prácticas similares y aún hoy, según las denuncias, Austria somete a la esterilización forzosa a deficientes mentales y otras personas consideradas "asociales".
Yusef el Badri, un jeque barbudo que tiene a gala ser el látigo de los infieles, pleiteador casi profesional desde hace años y que se ha erigido en el defensor de las más puras esencias islámicas en Egipto, según el concepto más conservador de esta religión, sonreía victorioso el martes pasado después de que el Tribunal Administrativo de El Cairo anulase una orden del Ministerio Health by prohibiting the practice of female genital mutilation in public hospitals. Only days before, a girl of 13, one more died in a public hospital, where his family had been to practice female circumcision, to not resist the anesthesia.
Progressive Women's Association has written to the media which accuses the mayor of show Baltanás intolerant, macho tyrant. This public report is produced after the highest representative of the consistory of Baltanás, Michael Gates, the Popular Party, insulting the Socialist councilor Carmen González. Según el escrito, Puertas se dirigió a la edil en estos términos: "Estar tú o el palo de una escoba es lo mismo". La Asociación de Mujeres Progresistas considera que este insulto está dirigido a todas las mujeres e insta al presidente del Partido Popular en Palencia, Fernández Carriedo para que exija al alcalde de Baltanás una rectificación y disculpa pública.
"Tuvimos que desnudar la biografía de mujeres que fueron utilizadas como icono de una época" -ha explicado-, "como Santa Teresa de Jesús, que fue referente de la Sección Femenina y de todo el régimen franquista, cuando en realidad fue una mujer que construyó su identidad y la de sus monjas desobedeciendo male authority. "However, according to Susanna Tavera, most of the biographies listed in the encyclopedia are little-known women," who have had to bail, after the official history submit an oversight systematic, deliberate and fully conscious. "
Twilight Acrostic Poem
Textos de cultura española
Professor Affinito these texts is proposing to review some elements of English culture
Adapted from Perez Navarro, Polettini - Contact , and Uriz, Harling - In the Hispanic world.
Navidad
Las Navidades empiezan en España con el tradicional sorteo de lotería, el 22 de diciembre, y terminan el 6 de enero, día de los Reyes Magos. Muchas son las tradiciones religiosas y paganas tíipicas de estos días. Con ocasión de las Navidades, ciudades, pueblos y aldeas se visten de fiesta, engalanando todos sus rincones con luces de colores y guirnaldas; en los hogares españoles se construye el belén (representación del nacimiento de Cristo, con el pesebre hacia el que se dirigen los Reyes Magos y los pastores) ; se adorna el árbol de Navidad ; la gente hace y recibe regalos de familiares y amigos; se preparan y se consumen toneladas de dulces (el más fámoso de which is the nougat, of which there are infinite varieties, the most widespread of which is known as "Alicante" or "hard nougat" prepared with almonds, honey and wafer). During these days the children sing Christmas carols (popular songs with religious themes related to the birth of Jesus) and receive the "bonus" (gift, usually money that older children tend to do).
the night Christ was born on 24 December is "Christmas" in all English speaking countries and is celebrated as a family. Many Catholics attend the 12 pm to "Midnight Mass", whose name comes from a fable que cuenta que el gallo fue el primer animal en presenciar el nacimiento de Jesús y fue el gallo quién se encargó de anunciarlo al mundo.
El 25, día de Navidad, se reúne la familia para la comida navideña.
El día 28 es el “día de los Inocentes” y recuerda la matanza de Herodes: en este día la gente gasta bromas y cuenta mentiras, e incluso los periódicos publican noticias falsas.
El día 31 es la “Nochevieja” y la gente cena con amigos o familiares bebiendo cava, el champán típico catalán, y preparando las doce uvas para tomar una con cada campanada que anuncia la entrada en el nuevo año. Quien consigue comerse todas las uvas a tiempo tendrá un happy year and good luck. After midnight people tend to leave and go to parties between fireworks and firecrackers, in Spain there is a big party in the Puerta del Sol de Madrid, where thousands of people hear the bells that announce the new year . Then, the English often go to parties and dances or stay on the streets. The Madrid end their night in a cafe, where they welcome the New Year drinking chocolate with "churros" (fried pieces of dough of flour and water in a cylindrical and elongated).
January 5 is the "Day of the Horse 'in towns and cities of Spain are organized parades in which the Reyes Magos (Melchor, Gaspar y Baltasar) reparten caramelos y golosinas. Por la noche es tradición que los niños se acuesten temprano tras sacar brillo a los zapatos y preparar algo de comer para los Reyes y los camellos (o los caballos) que llegarán llevando regalos a los niños buenos y carbón a los malos. En las últimas décadas, sin embargo, debido al influjo de las tradiciones anglosajonas, ha adquirido gran popularidad en España la figura de Papá Noel que entrega sus regalos el día de Navidad. En estos días se come un dulce llamado « Roscón de Reyes », que es un rollo redondo con forma de corona que contiene en su interior una sorpresa que trae suerte a quien le toca y lo convierte en el rey de la fiesta, and forcing a bean who is to pay the candy.
The most typical is looking forward to congratulate Christmas "Merry Christmas" or "Merry Christmas and Happy New Year."
Las Fallas
The "Fallas de San José" in Valencia, held in March, and the whole city becomes an enormous stage and art festival. The faults are peculiar satirical monuments, made with combustible materials (cardboard, wood etc.), Which are assembled in the streets and major intersections, are on public display for several days and burned on the night of March 19 , the feast of San José ('failure' means 'Fire'). The city wakes up on 19 with the alarm clock, a fireworks of firecrackers that does jump out of bed to Valencia and visitors, the noise increases at noon with the mascletá (more firecrackers, smoke and pyrotechnics), and culminates with the cream: a twelve o'clock at night set fire to the failures, which burn all at once. Throughout the year
Valencian artists work in the construction of the failures, these groups of sculptures are humorous and satirical representations of problems and characters of today. Each artist chooses faller considered most successful figure of the monument being built and a few weeks prior to placement failure in the street, all the dolls (ninots) will be presented in a joint statement. By popular vote is awarded one ninot which, by their grace and beauty or satirical intent, is considered worthy of a pardon from the fire. The ninots awarded each year are incorporated into a museum.
The Sanfermines
The English party par excellence and best known in the world is that of San Fermin, a festival held in Pamplona (the capital of Navarra) from 7 to July 14 in honor San Fermín. The festival begins on July 6 with the traditional "chupinazo", firing a rocket fireworks. Then start the spectacle of "closure" when you release the bulls through the narrow streets of the city: the bulls are running from the corral to the bullring and with them men. In the afternoon we held the run. This amazing spectacle of the game between life and death, of ancestral tradition and indescribable force, impressed Hemingway. The closure has come to be world famous and casual runners, thousands, more tourists, who throng in the street, seriously endangering their lives. Many times these are tourists who have spent the night out, sometimes drunk, they have no preparation. Consecutive days are witnessing the greatest explosion of festive todas las calles de Pamplona; los jóvenes, siempre vestidos de “pamplonica”, con camisa y pantalón blanco, faja y pañuelo rojos, corren, bailan y cantan por todas las calles, bebiendo vino de la tradicional bota de piel.
Las Navidades empiezan en España con el tradicional sorteo de lotería, el 22 de diciembre, y terminan el 6 de enero, día de los Reyes Magos. Muchas son las tradiciones religiosas y paganas tíipicas de estos días. Con ocasión de las Navidades, ciudades, pueblos y aldeas se visten de fiesta, engalanando todos sus rincones con luces de colores y guirnaldas; en los hogares españoles se construye el belén (representación del nacimiento de Cristo, con el pesebre hacia el que se dirigen los Reyes Magos y los pastores) ; se adorna el árbol de Navidad ; la gente hace y recibe regalos de familiares y amigos; se preparan y se consumen toneladas de dulces (el más fámoso de which is the nougat, of which there are infinite varieties, the most widespread of which is known as "Alicante" or "hard nougat" prepared with almonds, honey and wafer). During these days the children sing Christmas carols (popular songs with religious themes related to the birth of Jesus) and receive the "bonus" (gift, usually money that older children tend to do).
the night Christ was born on 24 December is "Christmas" in all English speaking countries and is celebrated as a family. Many Catholics attend the 12 pm to "Midnight Mass", whose name comes from a fable que cuenta que el gallo fue el primer animal en presenciar el nacimiento de Jesús y fue el gallo quién se encargó de anunciarlo al mundo.
El 25, día de Navidad, se reúne la familia para la comida navideña.
El día 28 es el “día de los Inocentes” y recuerda la matanza de Herodes: en este día la gente gasta bromas y cuenta mentiras, e incluso los periódicos publican noticias falsas.
El día 31 es la “Nochevieja” y la gente cena con amigos o familiares bebiendo cava, el champán típico catalán, y preparando las doce uvas para tomar una con cada campanada que anuncia la entrada en el nuevo año. Quien consigue comerse todas las uvas a tiempo tendrá un happy year and good luck. After midnight people tend to leave and go to parties between fireworks and firecrackers, in Spain there is a big party in the Puerta del Sol de Madrid, where thousands of people hear the bells that announce the new year . Then, the English often go to parties and dances or stay on the streets. The Madrid end their night in a cafe, where they welcome the New Year drinking chocolate with "churros" (fried pieces of dough of flour and water in a cylindrical and elongated).
January 5 is the "Day of the Horse 'in towns and cities of Spain are organized parades in which the Reyes Magos (Melchor, Gaspar y Baltasar) reparten caramelos y golosinas. Por la noche es tradición que los niños se acuesten temprano tras sacar brillo a los zapatos y preparar algo de comer para los Reyes y los camellos (o los caballos) que llegarán llevando regalos a los niños buenos y carbón a los malos. En las últimas décadas, sin embargo, debido al influjo de las tradiciones anglosajonas, ha adquirido gran popularidad en España la figura de Papá Noel que entrega sus regalos el día de Navidad. En estos días se come un dulce llamado « Roscón de Reyes », que es un rollo redondo con forma de corona que contiene en su interior una sorpresa que trae suerte a quien le toca y lo convierte en el rey de la fiesta, and forcing a bean who is to pay the candy.
The most typical is looking forward to congratulate Christmas "Merry Christmas" or "Merry Christmas and Happy New Year."
Las Fallas
The "Fallas de San José" in Valencia, held in March, and the whole city becomes an enormous stage and art festival. The faults are peculiar satirical monuments, made with combustible materials (cardboard, wood etc.), Which are assembled in the streets and major intersections, are on public display for several days and burned on the night of March 19 , the feast of San José ('failure' means 'Fire'). The city wakes up on 19 with the alarm clock, a fireworks of firecrackers that does jump out of bed to Valencia and visitors, the noise increases at noon with the mascletá (more firecrackers, smoke and pyrotechnics), and culminates with the cream: a twelve o'clock at night set fire to the failures, which burn all at once. Throughout the year
Valencian artists work in the construction of the failures, these groups of sculptures are humorous and satirical representations of problems and characters of today. Each artist chooses faller considered most successful figure of the monument being built and a few weeks prior to placement failure in the street, all the dolls (ninots) will be presented in a joint statement. By popular vote is awarded one ninot which, by their grace and beauty or satirical intent, is considered worthy of a pardon from the fire. The ninots awarded each year are incorporated into a museum.
The Sanfermines
The English party par excellence and best known in the world is that of San Fermin, a festival held in Pamplona (the capital of Navarra) from 7 to July 14 in honor San Fermín. The festival begins on July 6 with the traditional "chupinazo", firing a rocket fireworks. Then start the spectacle of "closure" when you release the bulls through the narrow streets of the city: the bulls are running from the corral to the bullring and with them men. In the afternoon we held the run. This amazing spectacle of the game between life and death, of ancestral tradition and indescribable force, impressed Hemingway. The closure has come to be world famous and casual runners, thousands, more tourists, who throng in the street, seriously endangering their lives. Many times these are tourists who have spent the night out, sometimes drunk, they have no preparation. Consecutive days are witnessing the greatest explosion of festive todas las calles de Pamplona; los jóvenes, siempre vestidos de “pamplonica”, con camisa y pantalón blanco, faja y pañuelo rojos, corren, bailan y cantan por todas las calles, bebiendo vino de la tradicional bota de piel.
Convection Or Conventional Oven
Antoni Gaudí: vida y personalidad
Naturalism
EXPRESSIONIST This period is characterized by lively modernism, which begins in the Baroque spirit: but Gaudí did not conform with the traditional Baroque exterior dynamism, but that increased their chances, facing nature. In nature is the essential rules of architectural elements: "The spine is the trunk, the trunk deck is the mountain, the slopes and the summit, the roof of the cave ...". From this it is that without being imitative childishness inadmissible in architecture, the whole world to see in the work of this group, for its evocative power, life forms, natural, columns like elephant legs, openings that seem lips, waves sea, polychrome landscape.
Park Guell (1900-1914): The original plan was to build a model luxury development on the outskirts of Barcelona. This magnificent garden city was planned for 60 houses. Although Gaudí turned in this work, once again, his prodigious imagination, the project was a resounding commercial failure. Only two plots were sold. So, years later, this area became a public park in Barcelona. In the center of a double staircase, a large lizard or dragon welcomes the visitantes: la decoración de toda esta zona está realizada con el revestimiento que tantas veces utilizó en sus obras. Baldosas rotas de forma irregular, que se acomodaban perfectamente a las superficies curvas que creaba el genial arquitecto. Tras subir esta escalera, se accede a un gran espacio cubierto, sostenido por 86 columnas dóricas, que estaba previsto para dedicarlo a los puestos de mercado donde podrían proveerse los habitantes de la futura ciudad-jardín. Los bellísimos rosetones del techo están realizados con trozos multicolores de baldosas y de cristales. En la gran plaza llamada del teatro griego, sustentada por las citadas columnas con capiteles dóricos, un largo y serpenteante banco decorado a la manera gaudiniana, closes the limits of its surface. Gaudí flatly refused to clear the forest to trace the paths. By contrast, drawing on uneven terrain, created trails covered porches supported by columns with inclined. Despite the apparent thinness of these, reminiscent of palm trunks have been of outstanding weather resistance to attack. By using the very stones of the place, got even more, that architecture was an integral part of the natural landscape. UNESCO appointed to the Park Güell, in 1984, artistic monument of international protection.
HOME MILA (1906-1910): is located on Paseo de Gracia, number 92, was commissioned by Rosario Segimón of Mila. The artist conceived the work as a monument to the Virgen del Roser. The façade, which has made the baptized with the name of La Pedrera by its appearance of indestructible pile of stones is built on its largest by thin plates Vilafranca limestone, which is easy to work with minimal iron that would scare the technicians. The sinuosity of the façade provides openings of different orientation because of its great extent, reduce considerably the walls, the large number of windows on the facade and interior patios and sosteniemiento only allowed to distribute pillars like housing tenants and, if need be, you could easily change the fate of the building. It seems that an irresistible force that has formed geological huge block, leaving him the impression of movement, the twinning with the forms of nature is complete. The set is a monumental foot had to be the base of a magnificent group of sculptures, carved in stone, gilt metal and glass, representing the Virgin and two angels moving on Barcelona, \u200b\u200bwhich is why each terminal crest is carved facade word of the angelic salutation. Too bad that this particular work has been incomplete, not only the lack of the sculptures which justify it, but also because most of the finishing works were abandoned by Gaudí.
THE HOLY FAMILY: Construction began in 1882 and a year later Antoni Gaudi was appointed Project Director. Gaudí radically changed by replacing a first draft of their own, more ambitious, original and daring than the first. He worked there for over 40 years until his death in 1926. The general plan and its thorough study of the project, based on the innovative use of naturalistic shapes, are the material from which the architects of the temple continues today. The facade of the Nativity, is the part of the work that Gaudi deseaba dejar terminada como muestra y ejemplo para sus continuadores, ya que él, muy a su pesar, tuvo que aceptar que era imposible llegar a realizar una obra de esta envergadura en el corto periodo de una vida. Actualmente hay ocho torres construidas, las correspondientes a las fachadas del Nacimiento y de la Pasión. El proyecto tendrá un total de 18 torres. Las 12 más bajas, entre las que se encuentran las ocho ya construidas, corresponden a las tres fachadas, y están dedicadas a los apóstoles. Cuatro, de superior altura, a los Evangelistas. Sobre el ábside, de mayor diámetro, a la Virgen María y la más alta que remata todo el templo, estará dedicada a Jesucristo. Construido bajo el concepto de templo expiatorio, has been financed from the beginning exclusively on handouts from individuals, and thus continues to be, thanks to donations received from faithful and admirers of the work.
ANTONI GAUDÍ
Vida y personalidad
Antoni Gaudí nació el 25 de junio de 1852 en el campo de Tarragona. En sus partidas de bautismo y defunción y en la documentación de su etapa escolar figura como nacido en Reus (Cataluña), and being the only documents that are currently available, we can say that it was Gaudí Reus. Yet there is a dispute between Reus and Riudoms on the origin of the architect.
studied at the School of Architecture of Barcelona, \u200b\u200bwhere he graduated in 1878. During her studies she worked with teachers known works: these Fontseré, who was planning the cascade to the Ciutadella Park, and Francis P. del Villar, a school teacher. At the end of his career opened his own office, which later develop his famous works.
artistic genius Gaudí relied on a great character. Young moved to faith passionate, impetuous, irascible, a man calm, balanced, exemplary. He thought deeply about the problems of art and life, he acted strictly in accordance with his thinking, came to live with absolute loyalty to their deeply rooted religious beliefs, their high-minded civic and its refined aesthetic ideals, and showed that the highest inspiration artistic crown hard work, sustained, methodical and disciplined.
Catalan Modernism is an architectural style that develops mainly in Catalonia and Barcelona over 50 years, between 1880 and 1930. Although part of a general trend that emerges in all Eusopa in Catalonia acquired its own distinct personality, and becomes more developed probably modernism. In the late nineteenth century architectural trends emerging in Europe to break with traditional approaches and seek new ways to build towards the twentieth century, which give great importance to aesthetics. This movement is a consequence of the Industrial Revolution and the developments resulting from it have changed entirely the way of living of the population and have resulted in growth of cities, which have been established industries who run an increasing number of bourgeois. Modernism is thus an urban and bourgeois style. Modernism rejects unattractive style of architecture industrial in the first half of the nineteenth century, and develops new architectural concepts based in nature, consisting of the construction materials used in the forms of buildings and figures of their facades. The architects and sculptors placed outside buildings birds, butterflies, leaves and flowers as a decorative element, either as figures or ornament attached to the stone or ceramic. Also placed larger figures, mythical animals or people, and the cornices colored ceramic elements. The windows and balconies have wrought iron railings, which are carved artistically and contain motifs inspired by nature.
The work
At the Universal Exhibition in Paris in 1878, showcased his by Gaudí for a glove factory. He was so impressed that this work aroused Eusebi Güell, on his return, he contacted the architect to order some custom. This was the beginning of a friendship and patronage, which produced some of the most remarkable works of Gaudí. Güell was a patrician elite and generous at the same time he became a patron at the height of genius. He believed in Gaudí, in their original ideas, and gave all kinds of support, especially economic. Güell commissioned Gaudí several works, including construction of his palace: his example was followed by other choice spirits, this led to the production rich in civil architecture of Gaudí.
But Gaudí was far more than an architect: he was a high value considered minor arts: painting, pottery, wrought iron and woodwork. I thought the buildings as a whole, to the smallest detail. Between the exterior and interior of a building but there was no difference harmony. So did sculpture and designed furniture and many decorative items.
can say that Gaudí is one of the pioneers of recycling because their buildings using all types of material: iron used, broken tiles, pieces bottles and glasses.
They wanted to see a revolutionary Gaudi just inaccurate. He did not believe it possible to go forward without relying on the past and make the effort and achievements of the generations that preceded us before: "We must build on the past to get to do some work of value, but avoid their mistakes, the real novelty is to return to home "justified" does not have to want to be original because the style is already carried in and out spontaneously. "
Gaudí began practicing when everyone still looked back: the developers and owners continued to use the recipe last neoclassical principal architect restauraban los edificios medievales siguiendo la moda romántica. Gaudí siguió al principio la corrente de sus compañeros y también volvió atrás pero no como fin sino como punto de partida para ampliar el legado de las generaciones pasadas. El novel arquitecto procedió a una revisión de la plástica y la estética de los estilos arquitectónicos y los evolucionó en un sentido moderno y se valió de ellos con una libertad y un acento personales.
En el incesante movimiento pendular de la historia del arte, era natural que se reaccionase contra la seca ejecución neoclásica con un nuevo barroquismo. Además el barroco era el último estilo más arraigado al país y al alma española, y la única atadura viva cercana al pasado. Nos explicamos, pues, la preferencia de Gaudí por estas formas dinamizadas y que, partiendo del barroco, con su progresión lenta, llegase a las formas vitalistas, a la plástica cosmica del Parque Güell, de la Casa Batlló y de la Casa Milá, en que por primera vez la arquitectura desborda su campo e irrumpe en el de las artes imitativas.
ÉPOCAS CARACTERÍSTICAS
No es posible clasificar de una manera estricta unas épocas de producción porque el tIempo empleado en la construcción arquitectónica a menudo hace que se empiecen obras pertenecientes a una nueva modalidad, mientras sigue la ejecución de las planeadas with another orientation.
preliminary period is made up of the work done when Gaudi was acting as assistant to architects and other small personal works, executed while he was studying the last years of his career and shortly after it ended. WORKS
Ciutadella Park (1877-1882): Master Font works as I will be helpful when I had planned and carried out the waterfall, the little square Aribau fence and gates and fences. Fontserè, possessor of a neoclassical approach very poor, was soon displaced by his assistant.
STREET OF THE REAL AND THE PLAZA BARCELONETA (1878): These lamps streetlights are still the most beautiful in Barcelona, \u200b\u200bis an example of combination of different materials, in this case stone and metal. PERIOD
MUDÉJAR
-Moorish decoration of the compositions of this group is mainly polychrome, obtained by the contrast between the brick and masonry, complete with ceramic rivestimento abundant in the auction, with temples and cupolas of Moorish flavor also coated with colored glazes
Palau Guell: Between 1886 and 1889 he built the palace in the Barcelona Carrer Nou de la Rambla occupying the site of three old houses. It is a real majesty expressly sought the building consists of a total of six levels from the basement for the carriages to the original plant cover with the eerie forest of chimneys with whimsical shapes and colors. This book is the culmination stately type of composition of this group and at the same time, the determined sense utiización Gothic elements, the transition to the next. GOTHIC
EVOLVED
Gaudí concluded that a true Gothic style, but fails to maturity. "Gothic art is imperfect. There is complete unity: the structure is not fused with the-decoration-geometrized you saw, this decoration could be deleted without the work would suffer. Gaudí suppresses the capitals and imposts of the windows. TORRE
Antoni Gaudí nació el 25 de junio de 1852 en el campo de Tarragona. En sus partidas de bautismo y defunción y en la documentación de su etapa escolar figura como nacido en Reus (Cataluña), and being the only documents that are currently available, we can say that it was Gaudí Reus. Yet there is a dispute between Reus and Riudoms on the origin of the architect.
studied at the School of Architecture of Barcelona, \u200b\u200bwhere he graduated in 1878. During her studies she worked with teachers known works: these Fontseré, who was planning the cascade to the Ciutadella Park, and Francis P. del Villar, a school teacher. At the end of his career opened his own office, which later develop his famous works.
artistic genius Gaudí relied on a great character. Young moved to faith passionate, impetuous, irascible, a man calm, balanced, exemplary. He thought deeply about the problems of art and life, he acted strictly in accordance with his thinking, came to live with absolute loyalty to their deeply rooted religious beliefs, their high-minded civic and its refined aesthetic ideals, and showed that the highest inspiration artistic crown hard work, sustained, methodical and disciplined.
Catalan Modernism is an architectural style that develops mainly in Catalonia and Barcelona over 50 years, between 1880 and 1930. Although part of a general trend that emerges in all Eusopa in Catalonia acquired its own distinct personality, and becomes more developed probably modernism. In the late nineteenth century architectural trends emerging in Europe to break with traditional approaches and seek new ways to build towards the twentieth century, which give great importance to aesthetics. This movement is a consequence of the Industrial Revolution and the developments resulting from it have changed entirely the way of living of the population and have resulted in growth of cities, which have been established industries who run an increasing number of bourgeois. Modernism is thus an urban and bourgeois style. Modernism rejects unattractive style of architecture industrial in the first half of the nineteenth century, and develops new architectural concepts based in nature, consisting of the construction materials used in the forms of buildings and figures of their facades. The architects and sculptors placed outside buildings birds, butterflies, leaves and flowers as a decorative element, either as figures or ornament attached to the stone or ceramic. Also placed larger figures, mythical animals or people, and the cornices colored ceramic elements. The windows and balconies have wrought iron railings, which are carved artistically and contain motifs inspired by nature.
The work
At the Universal Exhibition in Paris in 1878, showcased his by Gaudí for a glove factory. He was so impressed that this work aroused Eusebi Güell, on his return, he contacted the architect to order some custom. This was the beginning of a friendship and patronage, which produced some of the most remarkable works of Gaudí. Güell was a patrician elite and generous at the same time he became a patron at the height of genius. He believed in Gaudí, in their original ideas, and gave all kinds of support, especially economic. Güell commissioned Gaudí several works, including construction of his palace: his example was followed by other choice spirits, this led to the production rich in civil architecture of Gaudí.
But Gaudí was far more than an architect: he was a high value considered minor arts: painting, pottery, wrought iron and woodwork. I thought the buildings as a whole, to the smallest detail. Between the exterior and interior of a building but there was no difference harmony. So did sculpture and designed furniture and many decorative items.
can say that Gaudí is one of the pioneers of recycling because their buildings using all types of material: iron used, broken tiles, pieces bottles and glasses.
They wanted to see a revolutionary Gaudi just inaccurate. He did not believe it possible to go forward without relying on the past and make the effort and achievements of the generations that preceded us before: "We must build on the past to get to do some work of value, but avoid their mistakes, the real novelty is to return to home "justified" does not have to want to be original because the style is already carried in and out spontaneously. "
Gaudí began practicing when everyone still looked back: the developers and owners continued to use the recipe last neoclassical principal architect restauraban los edificios medievales siguiendo la moda romántica. Gaudí siguió al principio la corrente de sus compañeros y también volvió atrás pero no como fin sino como punto de partida para ampliar el legado de las generaciones pasadas. El novel arquitecto procedió a una revisión de la plástica y la estética de los estilos arquitectónicos y los evolucionó en un sentido moderno y se valió de ellos con una libertad y un acento personales.
En el incesante movimiento pendular de la historia del arte, era natural que se reaccionase contra la seca ejecución neoclásica con un nuevo barroquismo. Además el barroco era el último estilo más arraigado al país y al alma española, y la única atadura viva cercana al pasado. Nos explicamos, pues, la preferencia de Gaudí por estas formas dinamizadas y que, partiendo del barroco, con su progresión lenta, llegase a las formas vitalistas, a la plástica cosmica del Parque Güell, de la Casa Batlló y de la Casa Milá, en que por primera vez la arquitectura desborda su campo e irrumpe en el de las artes imitativas.
ÉPOCAS CARACTERÍSTICAS
No es posible clasificar de una manera estricta unas épocas de producción porque el tIempo empleado en la construcción arquitectónica a menudo hace que se empiecen obras pertenecientes a una nueva modalidad, mientras sigue la ejecución de las planeadas with another orientation.
preliminary period is made up of the work done when Gaudi was acting as assistant to architects and other small personal works, executed while he was studying the last years of his career and shortly after it ended. WORKS
Ciutadella Park (1877-1882): Master Font works as I will be helpful when I had planned and carried out the waterfall, the little square Aribau fence and gates and fences. Fontserè, possessor of a neoclassical approach very poor, was soon displaced by his assistant.
STREET OF THE REAL AND THE PLAZA BARCELONETA (1878): These lamps streetlights are still the most beautiful in Barcelona, \u200b\u200bis an example of combination of different materials, in this case stone and metal. PERIOD
MUDÉJAR
-Moorish decoration of the compositions of this group is mainly polychrome, obtained by the contrast between the brick and masonry, complete with ceramic rivestimento abundant in the auction, with temples and cupolas of Moorish flavor also coated with colored glazes
Palau Guell: Between 1886 and 1889 he built the palace in the Barcelona Carrer Nou de la Rambla occupying the site of three old houses. It is a real majesty expressly sought the building consists of a total of six levels from the basement for the carriages to the original plant cover with the eerie forest of chimneys with whimsical shapes and colors. This book is the culmination stately type of composition of this group and at the same time, the determined sense utiización Gothic elements, the transition to the next. GOTHIC
EVOLVED
Gaudí concluded that a true Gothic style, but fails to maturity. "Gothic art is imperfect. There is complete unity: the structure is not fused with the-decoration-geometrized you saw, this decoration could be deleted without the work would suffer. Gaudí suppresses the capitals and imposts of the windows. TORRE
Bellesguard STATELY: Gaudí In this work adopts a quintessential Gothic composition; chose the finest elements of Gothic architecture. This building, designed by Gaudi Figueras family stands in the same place in the fifteenth century King Martin I had built a villa homes, a little retreat away from the city. The architect retained and completed the fragments of the actual towers, uniting them in a rectangular enclosure constituted viewpoint.
Naturalism
EXPRESSIONIST This period is characterized by lively modernism, which begins in the Baroque spirit: but Gaudí did not conform with the traditional Baroque exterior dynamism, but that increased their chances, facing nature. In nature is the essential rules of architectural elements: "The spine is the trunk, the trunk deck is the mountain, the slopes and the summit, the roof of the cave ...". From this it is that without being imitative childishness inadmissible in architecture, the whole world to see in the work of this group, for its evocative power, life forms, natural, columns like elephant legs, openings that seem lips, waves sea, polychrome landscape.
Park Guell (1900-1914): The original plan was to build a model luxury development on the outskirts of Barcelona. This magnificent garden city was planned for 60 houses. Although Gaudí turned in this work, once again, his prodigious imagination, the project was a resounding commercial failure. Only two plots were sold. So, years later, this area became a public park in Barcelona. In the center of a double staircase, a large lizard or dragon welcomes the visitantes: la decoración de toda esta zona está realizada con el revestimiento que tantas veces utilizó en sus obras. Baldosas rotas de forma irregular, que se acomodaban perfectamente a las superficies curvas que creaba el genial arquitecto. Tras subir esta escalera, se accede a un gran espacio cubierto, sostenido por 86 columnas dóricas, que estaba previsto para dedicarlo a los puestos de mercado donde podrían proveerse los habitantes de la futura ciudad-jardín. Los bellísimos rosetones del techo están realizados con trozos multicolores de baldosas y de cristales. En la gran plaza llamada del teatro griego, sustentada por las citadas columnas con capiteles dóricos, un largo y serpenteante banco decorado a la manera gaudiniana, closes the limits of its surface. Gaudí flatly refused to clear the forest to trace the paths. By contrast, drawing on uneven terrain, created trails covered porches supported by columns with inclined. Despite the apparent thinness of these, reminiscent of palm trunks have been of outstanding weather resistance to attack. By using the very stones of the place, got even more, that architecture was an integral part of the natural landscape. UNESCO appointed to the Park Güell, in 1984, artistic monument of international protection. 
HOME MILA (1906-1910): is located on Paseo de Gracia, number 92, was commissioned by Rosario Segimón of Mila. The artist conceived the work as a monument to the Virgen del Roser. The façade, which has made the baptized with the name of La Pedrera by its appearance of indestructible pile of stones is built on its largest by thin plates Vilafranca limestone, which is easy to work with minimal iron that would scare the technicians. The sinuosity of the façade provides openings of different orientation because of its great extent, reduce considerably the walls, the large number of windows on the facade and interior patios and sosteniemiento only allowed to distribute pillars like housing tenants and, if need be, you could easily change the fate of the building. It seems that an irresistible force that has formed geological huge block, leaving him the impression of movement, the twinning with the forms of nature is complete. The set is a monumental foot had to be the base of a magnificent group of sculptures, carved in stone, gilt metal and glass, representing the Virgin and two angels moving on Barcelona, \u200b\u200bwhich is why each terminal crest is carved facade word of the angelic salutation. Too bad that this particular work has been incomplete, not only the lack of the sculptures which justify it, but also because most of the finishing works were abandoned by Gaudí. ORGANIC SYNTHESIS
This step is overcoming the previous, now the role, structure and plastic bones are full of expression and mutual dependence. Artistically the architectural integration of structural plastic humans: is replaced with new column by culumna tree trunk. Old age, rich in experience, Gaudí us back to the purity of images of children marvel at nature and at the service of religious art.
This step is overcoming the previous, now the role, structure and plastic bones are full of expression and mutual dependence. Artistically the architectural integration of structural plastic humans: is replaced with new column by culumna tree trunk. Old age, rich in experience, Gaudí us back to the purity of images of children marvel at nature and at the service of religious art.
THE HOLY FAMILY: Construction began in 1882 and a year later Antoni Gaudi was appointed Project Director. Gaudí radically changed by replacing a first draft of their own, more ambitious, original and daring than the first. He worked there for over 40 years until his death in 1926. The general plan and its thorough study of the project, based on the innovative use of naturalistic shapes, are the material from which the architects of the temple continues today. The facade of the Nativity, is the part of the work that Gaudi deseaba dejar terminada como muestra y ejemplo para sus continuadores, ya que él, muy a su pesar, tuvo que aceptar que era imposible llegar a realizar una obra de esta envergadura en el corto periodo de una vida. Actualmente hay ocho torres construidas, las correspondientes a las fachadas del Nacimiento y de la Pasión. El proyecto tendrá un total de 18 torres. Las 12 más bajas, entre las que se encuentran las ocho ya construidas, corresponden a las tres fachadas, y están dedicadas a los apóstoles. Cuatro, de superior altura, a los Evangelistas. Sobre el ábside, de mayor diámetro, a la Virgen María y la más alta que remata todo el templo, estará dedicada a Jesucristo. Construido bajo el concepto de templo expiatorio, has been financed from the beginning exclusively on handouts from individuals, and thus continues to be, thanks to donations received from faithful and admirers of the work. -Summary Adapted from Joan Bergos - Gaudi, the man and the work and Wikipedia
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